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Andalusian cadence
The Andalusian cadence (diatonic phrygian tetrachord) is a term adopted from flamenco music for a chord progression comprising four chords descending stepwise--a ''vi-V-IV-III'' progression with respect to the major mode or ''i-VII-VI-V'' progression with respect to the minor mode.〔(Mojácar Flamenco ), a website about basics in Flamenco music〕 It is otherwise known as the minor descending tetrachord. Traceable back to the Renaissance, its effective sonorities made it one of the most popular progressions in classical music .
Despite the name it is not a true cadence (i.e., occurring only once, when ending a phrase, section, or piece of music〔Buciu, Dan (1989). ''Tonal Harmony'', "Ciprian Porumbescu" Conservatory Publishing House, Bucharest〕); it is most often used as an ostinato (repeating over and over again). It is heard in rock songs such as "Runaway" by Del Shannon.〔Kelly, Casey and Hodge, David (2011). ''The Complete Idiot's Guide to the Art of Songwriting'', . ISBN 978-1-61564-103-1. "i-VII-VI-V."〕
==Structure==
:''For further explanation see Chord progression''
The Andalusian cadence may be notated vi - V - IV - III with respect to a major key; i – VII – VI – V with respect to a natural or melodic minor key, the two being identical in descent; or i – VII – VI – V with respect to a harmonic minor key, in which the reversal of the raising of the subtonic (VII) to a leading tone (which would be noted in non-harmonic minor keys as VII) must be noted.〔Popp, Marius (1998). ''Applicatory Harmony in Jazz, Pop & Rock Improvisation'', Nemira Publishing House, Bucharest. ISBN 973-569-228-7〕〔 In the third degree of the final chord (III or V, depending on key signature), the subtonic is sharpened by a semitone into a leading note in order to lead back into the minor chord that begins the sequence.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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